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CULTURE OF THE BODY AND METAMORPHOSES OF CORPOREALITY
Karavashkina Natalia Evgenyevna1, Bokova Dar'ya Olegovna2
1Minin State Pedagogical University of Nizhny Novgorod, Postgraduate student of the Department of philosophy and social Sciences
2Minin State Pedagogical University of Nizhny Novgorod, Student of the faculty of Humanities, the field of "Philosophy"
1Minin State Pedagogical University of Nizhny Novgorod, Postgraduate student of the Department of philosophy and social Sciences
2Minin State Pedagogical University of Nizhny Novgorod, Student of the faculty of Humanities, the field of "Philosophy"
Abstract
he body becomes one of the leading cultural and aesthetic means of communication in contemporary culture, as in entertainment arts a man himself becomes an art in present-time conditions. The feature like “how many cultural meanings the body can express” is of great importance in the communicative nature of physicality. The less a person is like himself and the more he resembles someone else / something else (by means of plastic surgery, Photoshop or computer graphics), the more attractive he becomes for the culture, so at the end of the XXth - early XXIth century, a variety of bodily strains becomes very popular in the body culture. Bodily strains provide the body with many additional cultural images that are beyond the scope of naturalness and reality.
Keywords: bodily strains, body positive, deanthropologization, glam style, metamorphosis of corporeality, physicality, present-time culture, the body
Category: 09.00.00 Philosophy
Article reference:
Culture of the Body and Metamorphoses of corporeality // Modern scientific researches and innovations. 2016. № 2 [Electronic journal]. URL: https://web.snauka.ru/en/issues/2016/02/64660
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